Het JAVA Vandoren riet voor altsax. Dit riet is bedoelt voor muzikanten die een jazz-achtige sound willen spelen.

Een doosje bevat 10 rieten. Oude verpakking.

Alleen beschikbaar in rietdikte 4.

Vandoren over het JAVA riet:

"Developed in 1983 for jazz and popular music. A thicker tip and a more flexible palette* than the Traditional reed allow vibration over a larger surface area with maximum elasticity.

This type of vertebral column gives the musician much greater playing flexibility, as the resultant elasticity zone is very large.

*Palette: zone where the waves are propagated with the greatest range. From the tip, the waves are absorbed further in the JAVA reed."

Rico Royal rieten uit oude voorraad.

Een van de meest verkochte rieten wereldwijd.

Een doosje bevat 10 rieten.

Alleen nog beschikbaar in rietdikte 1 & 5.

Alexander Superial "DC" altsaxofoon rieten.

Oude voorraad!

Doosje bevat 10 rieten.

Alleen nog beschikbaar in rietdikte 4 en 4,5.

Alexander Reeds over de Superial "DC" rieten:

"After introducing Superial, I wanted to add another model to our line which I thought might meet the needs of players who were looking for a different style cut and tonal response. Using the same cane, we made exhaustive tests and alterations to fabricate a reed with somewhat changed response characteristics from the original Superial, and thus the new Superial "DC" (or "Double Cut) was created. This reed has a slightly harder tip and more wood in the heart and sides than Superial and therefore produces a more solid tonal core, enhanced projection and power, and a little darker harmonic timbre than Superial, but still one with the kind of "edge" and authority needed in soloing or lead work. For "DC" I was thinking in terms of a tonal concept reminiscent of the saxophonists I had admired and been influenced by from the 1950's to the "Blue Note", "Miles" and "Trane", and "Wayne" eras. I also had in mind a reed of increased power that would be particularly suitable for big band, stage band or marching reed players, as well. So in a sense, I worked on "DC" with an idea of making a reed that fit closest to the tonal palate of my own musical influences and this became the reed I used on Tenor most of the time."